Honestly I went to A View From the Bridge to see Scarlett Johansson in the flesh. Thanks to an incredible cast and a most demanding script, it turned to be beyond my expectations.
With not much sleep from the previous night, I took my seat in the second row with a little discomfort and doubt. After a cup of dark Turkish coffee, I was determined not the blink en eye. The play was supposed to be a drama about Italian immigrants who move to Brooklyn in the 1950s with the prospect of a better life. Within the little time left for the 1st act, I grabbed onto my BlackBerry to read a little more about the story. A View from the Bridge is a family tragedy based on forbidden unrequited love.
Eddie Carbone, a longshoreman in the mid-1950s, lives near the Brooklyn waterfront with his wife, Beatrice, and her orphaned niece, 17-year-old Catherine. Eddie dotes on Catherine, and his obsession becomes more pronounced after Beatrice’s nephews, Marco and Rodolpho, arrive from Italy and move in with the Carbones. The threat of expulsion from the country for being illegal immigrants weighs on the two newcomers, and a jealous Eddie becomes fixated on his belief that Rodolpho is wooing Catherine only because marrying her would result in a green card. Meanwhile, the sheltered Catherine falls in love with charming Rodolpho. Eddie’s passionate jealousy propels the play toward a series of tragic confrontations.

It is not conventional to go a show with low expectations and leave it mesmerized. It was the case with A View from the Bridge. Liev Schreiber puts it all out as Eddie Carbone. Together with Scarlett Johansson they portray the confusion and the heavy guilt between a 17-year old girl who sees the husband of her aunt as a father and the husband who is perplexed with his feelings beyond parenting towards the girl who was brought up in his hands. The impeccable performance of Johansson and Schreiber can not be perfected without the help of Jessica Hecht who plays Beatrice.

As the wife who is perfectly aware of her husband’s forbidden love, as the aunt who is trying to look after her naive niece and as a woman who fights the urge of being jealous, she is torn apart. From her toning to her mimics, Hecth can not portray a better Beatrice. The way her chest drains air every time she opens up to Catherine or Eddie is not something that can go unnoticed. There is another character that deserves credit in the story. There are instances when Corey Stoll, as Marco, a father and a brother whose sole purpose is to take care of his family, mesmerizes the audience with his reaction to injustice.

The scene where he asks Eddic “Can you lift this chair?” with the protective urge of an older brother and the desperation of a bashful illegal immigrant makes the audience admire his strength, but feel sorry for his fatality. With his left arm firmly tight, Marco lifts the chair Eddie couldn’t, certifying his superiority and warning for respect.
A View from the Bridge will be on Broadway until April 2010.